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I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
In 1846, Lassell discovered Triton, the largest moon of Neptune, just 17 days after the discovery of Neptune itself by German astronomer Johann Gottfried Galle, using his self-built instrument. [8] [9] [10] In 1848, he independently co-discovered Hyperion, a moon of Saturn. [9] [11] In 1851 he discovered Ariel and Umbriel, two moons of Uranus.
If Triton was indeed captured during the era of giant planet migrations, it would be reasonable to assume that Nereid was also captured in this period. As a result, Triton's high eccentricity phase would have greatly perturbed any other irregular moons present at the time of its capture, including Nereid.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Since it is the dominant chord a tritone away, the substitute dominant may resolve down a fifth, to a tonic chord a tritone away from the previous tonic (for example, in F one may feature a ii–V on C, which with a substitute dominant resolves to G ♭, a distant key from F). Resolution from the substituted chord to the original tonic is also ...
Triton (/ ˈ t r aɪ t ɒ n /; Ancient Greek: Τρίτων, romanized: Trítōn) is a Greek god of the sea, the son of Poseidon and Amphitrite. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. [citation needed]
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...