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The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern.Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
The Mass is a compendium of many different styles in vocal composition, in both the stile antico reminiscent of Renaissance music (even containing Gregorian chant) and the Baroque concertante style of his own time: fugal writing and dances, arias and a movement for two four-part choirs.
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Pontifical vestments, also referred to as episcopal vestments or pontificals, are the liturgical vestments worn by bishops (and by concession some other prelates) in the Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and some Lutheran churches, in addition to the usual priestly vestments for the celebration of the Holy Mass, other sacraments, sacramentals, and canonical hours.
In the Latin Mass of the Middle Ages, it became customary to prolong the last syllable of the Alleluia, while the deacon was ascending from the altar to the ambo, to sing or chant the Gospel. This prolonged melisma was called the jubilus , jubilatio , or laudes , because of its jubilant tone.