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Apollo vowed to honor Daphne forever and used his powers of eternal youth and immortality to render the laurel tree evergreen. Apollo then crafted himself a wreath out of the laurel branches and turned Daphne into a cultural symbol for him and other poets and musicians.
The myth purportedly explains the origin of the laurel tree and its connection to Apollo, although "Apollo was emphatically associated with the laurel before the advent of the Daphne myth." [1] Details vary between different versions, but the beautiful nymph Daphne rejects the love of Apollo and is turned into a tree.
The laurel wreaths of a triumphator were often worn by imperial portraits, as were radiate crowns. [21] According to Pliny the Elder, the Arval Brethren, an ancient Roman priesthood, were accustomed to wear a wreath of grain sheaves. [22] Crowns and wreaths were associated by early Christians with Roman paganism and Hellenistic religion. [21]
Apollo (already wearing a laurel wreath) and Daphne, Antakya Archaeological Museum Parthenius' tale was known to Pausanias , who recounted it in his Description of Greece (2nd century AD). According to him, Leucippus was a son of the prince of Pisa , whose attempts to woo her by open courtship all failed, as Daphne avoided all males. [ 16 ]
In Daphne's place Gaia left a laurel tree, from which Apollo fashioned wreaths to console himself. [22] Other versions of the myth, including that of the Roman poet Ovid, state that Daphne was transformed directly into a laurel tree. [23] Bay laurel was used to fashion the laurel wreath of ancient Greece, a symbol of highest
Laurel wreaths became associated with what Apollo embodied; victory, achievement and status and would later become one of the most commonly used symbols to address achievement throughout Greece and Rome. Laurel wreaths were used to crown victorious athletes at the original Olympic Games [5] and are still worn in Italy by university students who ...
Apollo and Daphne is a life-sized marble sculpture by the Italian artist Gian Lorenzo Bernini, which was executed between 1622 and 1625. It is regarded as one of the artistic marvels of the Baroque age.
Wreaths were also part of clothing in Ancient Rome. Laurel wreaths from the bay laurel tree Laurus nobilis were worn by triumphatores – victorious generals celebrating a Roman triumph. Generals awarded a celebration ritual, the ovation (Latin: ovatio) wore wreaths of myrtle (Myrtus communis). [5] Wreaths (Latin: coronae, lit.
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