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Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) by Tirso de Molina.
Frontispiece illustration of a bust of Lord Byron in the 1824 edition of Don Juan. (Benbow publisher) Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3]
Don Juan draws his own sword and kills Don Gonzalo. With his final breath, Don Gonzalo swears to haunt Don Juan. Don Juan leaves the house just in time to find Mota and give him his cape back and flees. Mota is immediately seen wearing the same cloak as the man who murdered Don Gonzalo and is arrested.
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Dom Juan ou le Festin de Pierre ("Don Juan or The Feast of Stone") is a five-act 1665 comedy by Molière based upon the Spanish legend of Don Juan Tenorio. [1] The aristocrat Dom Juan is a rake who seduces, marries, and abandons Elvira, discarded as just another romantic conquest. Later, he invites to dinner the statue of a man whom he recently ...
The name took on popularity with the success of the Irish Patriot Party. At a time when Palladian classical architecture and design were being adopted in northern Europe, Hibernia was a useful word to describe Ireland with overtones of classical style and civility, including by the prosperous Anglo-Irish Ascendancy who were taught Latin at school.
Don Juan, an Austrian musical film directed by Walter Kolm-Veltée; Don Juan, a French-Italian-Spanish comedy film directed by John Berry; Don Juan, a Czechoslovak short film written and directed by Jan Švankmajer; Don Juan, or If Don Juan Were a Woman, a 1973 French-Italian film with Brigitte Bardot
Don Juan – or Don Juan (el taita del barrio) – is an Argentine tango, whose music was composed (at least in his greater part) by Ernesto Ponzio, and lyrics written afterwards by Ricardo Podestá. [ 1 ] [ 2 ] Jorge Luis Borges referred to his friend Poncio's composition as "one of the earliest and best tangos".