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As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are ...
According to Andrew Escobedo, "literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative." [28] He dates "the rise and fall of its [personification's] literary popularity" to "roughly, between the fifth and seventeenth centuries". [29]
Allegory is used extensively in Renaissance literature. Developing from the use of allegory in the Middle Ages , Renaissance literature exhibits an increased emphasis on courtly love , [ 1 ] sometimes abandoning intelligibility for deliberately unintelligible allegories.
Many Christians in ancient times regarded the early chapters of Genesis as true both as history and as allegory. [ 1 ] Other Jews and Christians have long regarded the creation account of Genesis as an allegory – even prior to the development of modern science and the scientific accounts (based on the scientific method) of cosmological ...
Italiano: A picture of the Allegory of Human Life by Alessandro Allori on the back of a portrait he did of Bianca Cappello. The work is a colored copy of a drawing by Michelangelo The work is a colored copy of a drawing by Michelangelo
Today, allegory is often said to be a sustained sequence of metaphors within a literary work, but this was not the ancient definition; at the time, a single passage, or even a name, could be considered allegorical. Generally, the changing meanings of such terms must be studied within each historical context. [6]
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. [1] It is considered to be an innate tendency of human psychology. [2] Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather ...