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Lê Phổ (2 August 1907 – 12 December 2001) was a Vietnamese painter. [1] From 1925 until 1930, Le Pho studied at the Ecole des Beaux-Arts of Hanoi. At this point, he earned a scholarship to study at the École des Beaux-Arts in Paris, and he studied there for the next two years under the instruction of Victor Tardieu, a friend and companion of Henri Matisse. [2]
Phổ Minh Temple, rice, artocarpus heterophyllus, bombax ceiba, anabas testudineus: Re-established province as of 6 November 1996. Ninh Bình: Nụ cười miền di sản (The smile of the heritage region) Vùng đất diệu kì (The marvelous land) Đinh Tiên Hoàng: Relic of Hoalu old capital: Re-established province as of 12 August 1996.
Pages in category "20th-century Vietnamese painters" The following 44 pages are in this category, out of 44 total. ... Lê Phổ; Lê Thị Lựu; Lê Văn Đệ ...
English: Lê Thị Lựu (1911-1988) was a Vietnamese woman painter. She was one of the rare notable female alumni of Victor Tardieu's École des Beaux-Arts de l’Indochine in Hanoi. With Mai Trung Thứ, Lê Phổ and Vũ Cao Đàm she was one of four Vietnamese artists in the 1930s to emigrate to and make a career in Paris.
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE .
Vũ Cao Đàm painting on easel in the countryside of Hanoi, circa 1926-27. Vũ Cao Đàm (1908-2000) was a Vietnamese painter. He was one of the alumni of Victor Tardieu's École des Beaux-Arts de l’Indochine in Hanoi in the 1930s, along with Mai Trung Thứ, Lê Phổ and woman painter Lê Thị Lựu, to emigrate to France and make a career in Paris.
Article 344 of the Nguyen dynasty code and Article 305 of the Le dynasty code both forbade self-castration and castration of Vietnamese men. [35] Self-castration of Vietnamese men was banned by Lê Thánh Tông, the emperor, in 1464. [36] The Vietnamese under Emperor Le Thanh Tong cracked down on foreign contacts and enforced an isolationist ...
The Four Great Treasures of Annam (Vietnamese: An Nam tứ đại khí, chữ Hán: 安南四大器), were four bronzes of the cultures of Lý and Trần dynasties of Vietnam: the Báo Thiên Pagoda, the Quy Điền Bell, the Buddha Statues of Quỳnh Lâm Temple and the Phổ Minh Caldron. [1] None of these artifacts survived.