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A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress.
An over-frock coat is a formal overcoat designed to be worn over a frock coat if needed in cold weather. A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods, the over-frock coat was cut in essentially the same way as the frock coat that was worn under it
These coats were made of ornate fabrics like silk and brocade, and decorated with elaborate embroidery and lace. [3] The justacorps should be distinguished as different from the frock coat, which was less ornate, differed in cut and silhouette, and not worn popularly until the late 18th century.
For standard everyday wear on-board naval vessels, enlisted sailors wore a frock coat with limited medals and badges (typically only war badges and high combat awards) as well as a simple system of collar tabs to denote between regular seaman and petty officers (Maat). In heavy weather, a thick overcoat was also worn.
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The River Road by Cornelius Krieghoff, 1855 (Three habitants wearing capotes). A capote (French:) or capot (French:) is a long wrap-style wool coat with a hood.. From the early days of the North American fur trade, both indigenous peoples and European Canadian settlers fashioned wool blankets into "capotes" as a means of coping with harsh winters. [1]
An Inverness cape worn with Highland dress, 2007 Tacoma Highland Games. Even though a wide variety of coats, overcoats, and rain gear are worn with Highland dress to deal with inclement weather, the Inverness cape has come to be almost universally adopted for rainy weather by pipe bands the world over, and many other kilt wearers also find it to be the preferable garment for such conditions.
Pink frock coat with thorn print from Jack the Ripper at Alexander McQueen: Savage Beauty (Victoria and Albert Museum, 2011). Jack the Ripper Stalks His Victims is the first collection by British designer Alexander McQueen, produced as the thesis collection for his master's degree in fashion at Central Saint Martins (CSM) art school.
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