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Vyangya means satire in Hindi literature. Vyangya writings includes the essence of sarcasm and humour in Hindi literature. Some of the better known writers in this genre are Harishankar Parsai, Sri Lal Sukla, K. P. Saxena, Gyan Chaturvedi, Suryakumar Pandey, Sharad Joshi, etc.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement.The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.
A clown wearing a hat of a ridiculously small and incongruous size. The ridiculous often has extreme incongruity (things that are not thought to belong next to each other) or inferiority, e.g., "when something that was dignified is reduced to a ridiculous position (here noting the element of the incongruous), so that laughter is most intense when we escape from a 'coerced solemnity'."
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Harishankar Parsai (22 August 1922 – 10 August 1995) was an Indian writer who wrote in Hindi. He was a noted satirist and humorist of modern Hindi literature and is known for his simple and direct style. [1] He wrote vyangya (satire), which described human values and nature. They reflected his critical thinking and humorous way of describing ...
from Hindi and Urdu: An acknowledged leader in a field, from the Mughal rulers of India like Akbar and Shah Jahan, the builder of the Taj Mahal. Maharaja from Hindi and Sanskrit: A great king. Mantra from Hindi and Sanskrit: a word or phrase used in meditation. Masala from Urdu, to refer to flavoured spices of Indian origin.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.