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Beginning with section 15, Exodus Rabbah contains homilies and homiletical fragments to the first verses of the Scripture sections. Many of the homilies are taken from the Tanḥumas, though sections 15, 16–19, 20, 30, and others show that the author had access also to homilies in many other sources.
Midrash Rabba or Midrash Rabbah can refer to part of or the collective whole of specific aggadic midrashim on the books of the Torah and the Five Megillot, generally having the term "Rabbah" (רבה ), meaning "great," as part of their name. These midrashim are as follows: Genesis Rabbah; Exodus Rabbah; Leviticus Rabbah; Numbers Rabbah ...
Jellinek thinks [9] that there were several aggadic midrashim to Song of Songs, each of which interpreted the book differently, one referring it to the exodus from Egypt, another to the revelations on Mount Sinai, and a third to the Tabernacle or the Temple in Jerusalem; and that all these midrashim were then combined into one work, which (with various additions) forms the present Shir ha ...
This is a halakhic commentary on Exodus, concentrating on the legal sections, from Exodus 12 to 35. It derives halakha from Biblical verses. This midrash collection was redacted into its final form around the 3rd or 4th century; its contents indicate that its sources are some of the oldest midrashim, dating back possibly to the time of Rabbi ...
The Mekhilta begins with Exodus 12, this being the first legal section found in Exodus. That this is the beginning is shown by the Nathan ben Jehiel and the Seder Tannaim v'Amoraim . [ 22 ] In like manner, Nissim ben Jacob proves in his Mafteach to Shab . 106b that the conclusion of the Mekhilta which he knew corresponded with that of the ...
S. Buber, in his very full edition of the Midrash Tehillim, printed material from other sources (the Pesiḳta Rabbati, Sifre, Numbers Rabbah, and the Babylonian Talmud) under the titles of the Psalms 123 and 131, so that the midrash in its present form covers the entire Book of Psalms.
There are many different recensions of Midrash Tanhuma, although the main ones are the standard printed edition, first published in Constantinople in 1520/1522 (and then again in Venice in 1545 and Mantua in 1563), and the Buber recension, [5] published by Salomon Buber in 1885 based on the manuscript MS Oxford Neubauer 154 for the base text as well as four other Oxford manuscripts. [6]
Pirkei DeRabbi Eliezer differs from classical midrashic literature: it does not contain homilies on every verse (as found in works such as"Genesis Rabbah" and "Song of Songs Rabbah"), nor is it organized by the sequence of Torah or selected topics (like "Leviticus Rabbah" or "Pesikta de-Rav Kahana"). Although composed by a single author, the ...