Search results
Results from the WOW.Com Content Network
Waldemar Januszczak (born 12 January 1954) is a Polish-British art critic and television documentary producer and presenter. Formerly the art critic of The Guardian , he took the same role at The Sunday Times in 1992, and has twice won the Critic of the Year award.
The Dark Ages: An Age of Light is a four-part documentary television series written, directed, and presented by the British art critic Waldemar Januszczak looking at the art and architecture of the so-called Dark Ages (i.e. Early Middle Ages) that shows it to be an era with advancements contrary to popular perceptions of the period.
”The Birth of the Baroque". Italy – Baroque's origins in Rome and Spanish Naples, including Borromini's architectural work such as San Carlo alle Quattro Fontane, Bernini's fountains, churches like Sant'Andrea al Quirinale and sculptures such as The Ecstasy of St Theresa; Andrea Pozzo's illusionistic work at Sant'Ignazio and Annibale Caracci's The Loves of the Gods; Caravaggio's career in ...
Waldemar Januszczak (1954–): British art critic, former Guardian arts editor and maker of television arts documentaries. [233] Charles-Édouard Jeanneret-Gris, known as Le Corbusier (1887–1965): Swiss-born architect, designer, urbanist, writer and also painter, famous for his contributions to what now is called Modern Architecture. [234]
Art critic Waldemar Januszczak wrote on 7 February 2010: The fact is, Theosophy... is embarrassing. If there is one thing you do not want your hardcore modernist to be, it is a member of an occult cult... Theosophy takes art into Dan Brown territory. No serious student of art history wants to touch it. [205]
Picasso: Magic, Sex, & Death (2001) is a three-episode Channel 4 film documentary series on Pablo Picasso (1881–1973) presented by the artist's friend and biographer John Richardson, and directed by Christopher Bruce or British art critic Waldemar Januszczak, who was also the series director.
Perspectivism (German: Perspektivismus; also called perspectivalism) is the epistemological principle that perception of and knowledge of something are always bound to the interpretive perspectives of those observing it.
Models is a notable example of Pointillism, which refers to painting through a series of colored dots that together make up an image. [4]In an article written by Norma Broude in the Art Bulletin, she compares Pointillism to photo printing in the 1880s France.