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The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:8–14 , tells of an angelic chorus singing praises to God.
Part 2, beginning "Vaterland, in deinen Gauen", was later adapted to the words of Charles Wesley’s Christmas carol "Hark! The Herald Angels Sing " (against Wesley's original request, as he had originally wanted more somber music, though he had been long deceased by this point).
Several of these pitch sets interlocking could form a larger set such as a pentatonic scale (such as C–D–F–G–B ♭ –C').It was first coined by theorist Pyotr Sokalsky [] in his 1888 book Русская народная музыка ("Russian Folk Music") to explain the observed traits of the rural Russian folk music (especially from southern regions) that was just beginning to be ...
A chord's inversion describes the relationship of its lowest notes to the other notes in the chord. For instance, a C major triad contains the tones C, E and G; its inversion is determined by which of these tones is the lowest note (or bass note) in the chord. The term inversion often categorically refers to the different possibilities, though ...
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
The fourth inversion of a ninth chord is the voicing in which the ninth of the chord is the bass note and the root a minor seventh above it. In the fourth inversion of a G-dominant ninth, the bass is A — the ninth of the chord — with the third, fifth, seventh, and root stacked above it, forming the intervals of a second, a fourth, a sixth, and a seventh above the inverted bass of A ...
Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .
In jazz, the term altered chord, notated generally as a root, followed by 7alt (e.g. G 7alt), refers to a dominant chord that fits entirely into the altered scale of the root. This means that the chord has the root, major third, minor seventh, and one or more altered tones, but does not have the natural fifth, ninth, eleventh, or thirteenth.