Search results
Results from the WOW.Com Content Network
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god.
Of special interest to the concept of similarity is the position known as resemblance nominalism, which treats resemblance between objects as a fundamental fact. [22] [16] So on this view, two objects have a feature in common because they resemble each other, not the other way round, as is commonly held. [23]
Some resemblance nominalists will concede that the resemblance relation is itself a universal, but is the only universal necessary. Others argue that each resemblance relation is a particular, and is a resemblance relation simply in virtue of its resemblance to other resemblance relations.
Resemblance may refer to: Similarity (philosophy), or resemblance, a relation between objects that constitutes how much these objects are alike; Family resemblance (anthropology), physical similarities shared between close relatives; Family resemblance, a philosophical idea made popular by Ludwig Wittgenstein
Family resemblance refers to physical similarities shared between close relatives, especially between parents and children and between siblings. [1] In psychology , the similarities of personality are also observed.
A work of art may embody an inference process and be an argument without being an explicit argumentation. That is the difference, for example, between most of War and Peace and its final section. 3. Speculative rhetoric or methodeutic. For Peirce this is the theory of effective use of signs in investigations, expositions, and applications of truth.
In both Universals and Scientific Realism (1978) and Universals: An Opinionated Introduction (1989), Armstrong describes the relative merits of a number of nominalist theories which appeal either to "natural classes" (a view he ascribes to Anthony Quinton), concepts, resemblance relations or predicates, and also discusses non-realist "trope ...
Hypocatastasis is a figure of speech that declares or implies a resemblance, representation or comparison. It differs from a metaphor, because in a metaphor the two nouns are both named and given; while, in hypocatastasis, only one is named and the other is implied, or as it were, is put down underneath out of sight. Hence hypocatastasis is an ...