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Rubber Soul is widely viewed as the first pop album to make an artistic statement through the quality of its songs, [325] a point that was reinforced by its artsy cover photo. [252] The belated acceptance of the Beatles by the editors of Newsweek was indicative of the magazine's recognition of the band's popularity among American intellectuals ...
Freeman showed the photos to the Beatles by projecting them onto an album-sized piece of cardboard to simulate how they would appear on an album cover. The unusual Rubber Soul album cover came to be when the slide card fell slightly backwards, elongating the projected image of the photograph and stretching it. Excited by the effect, they ...
The sessions for Revolver furthered the spirit of studio experimentation that was evident on Rubber Soul. [80] [81] With the Beatles increasingly involved in the production of their music, Martin's role as producer had changed to one of a facilitator and collaborator, whereby the band now relied on him to make their ideas a reality.
Yesterday and Today (also rendered as "Yesterday" ... and Today in part of the original packaging) [4] is a studio album by the English rock band the Beatles.Released in the United States and Canada in June 1966, it was their ninth album issued on Capitol Records and twelfth American release overall.
The session tapes were later destroyed, as was common practice until 1963. [27] This session's version of "Love Me Do" was released as the Beatles' first single; however, it was later replaced with a version recorded seven days later, and the original was destroyed. [28]
"Girl" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by John Lennon [3] [4] and credited to Lennon–McCartney. "Girl" was the last complete song recorded for that album.
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This recording session is also notable because it marks the first studio appearances of two Lennon–McCartney songs that would not be released until much later in the band's career: "One After 909" (later re-recorded, appearing on Let It Be) and "What Goes On" (later re-recorded, appearing on Rubber Soul, credited as Lennon–McCartney/Starkey ...
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