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Pages in category "Medieval dramatists and playwrights" This category contains only the following page. This list may not reflect recent changes. H. Hrotsvitha
As Barking Abbey only accepted women of noble birth, it is almost certain that Katherine was born into nobility. [2] Her position as Abbess of Barking would have ranked her equivalent to a Baroness in medieval English aristocracy. [3] Katherine held office from 1358 to 1376, during the peak of Barking Abbey’s existence.
The best-known playwright of farces is Hans Sachs (1494–1576), who wrote 198 dramatic works. In England, The Second Shepherds' Play of the Wakefield Cycle is the best-known early farce. However, farce did not appear independently in England until the 16th century with the work of John Heywood (1497–1580).
Hrotsvitha depicted women as having the power of self-determination and agency through taking the veil and abstaining from sexual relationships. This presents a very progressive view of women and their power in older societies, highlighted by various researchers that studied how Hrotsvitha's work often reflected the lives of women of her time. [28]
This is a list of notable playwrights. See also Literature; Drama; List of playwrights by nationality and date of birth ; Lists of authors . This is a dynamic list and may never be able to satisfy particular standards for completeness.
Hildegard may have used the books to teach assistants at the monastery. These books are historically significant because they show areas of medieval medicine that were not well documented because their practitioners, mainly women, rarely wrote in Latin. Her writings were commentated on by Mélanie Lipinska, a Polish scientist. [76]
French theatre in the 16th-century followed the same patterns of evolution as the other literary genres of the period. For the first decades of the century, public theatre remained largely tied to its long medieval heritage of mystery plays, morality plays, farces, and soties, although the miracle play was no longer in vogue.
Susanna Centlivre (c. 1669 (baptised) – 1 December 1723), born Susanna Freeman, and also known professionally as Susanna Carroll, was an English poet, actress, and "the most successful female playwright of the eighteenth century". [1] Centlivre's "pieces continued to be acted after the theatre managers had forgotten most of her contemporaries."