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Hohner "Super Chromonica"; case marked "No.260 1/2" (model); images top-to-bottom show the case top, harmonica top, case bottom, and harmonica bottom/obverse. The Chromonica, no longer in production, contained forty reeds and played 2½ full chromatic octaves. This was the original Hohner chromatic model, available until recently in C or G. [18]
The Clavinet is an electric clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982.The instrument produces sounds with rubber pads, each matching one of the keys and responding to a keystroke by striking a given point on a tensioned string, and was designed to resemble the Renaissance-era clavichord.
The Guitaret is an electric lamellophone made by Hohner and invented by Ernst Zacharias, in 1963. [1] Zacharias also invented similar instruments like the Pianet, Cembalet and the Clavinet. [2] [3] The instrument itself was not popular, and was dropped from the product line in 1965, presumably because it failed to excite the market.
The instrument was produced for a few months in the late 1990s before being discontinued. [ 1 ] Similar to a melodica (which is still in production), but worn like an accordion and played like a bagpipe , the claviola has a set of piano keys on the right side that range 2½ octaves.
The later Harmonettas (1960s and newer) featured white rings around the "E" keys, in the center of the instrument and had black internal Bakelite parts. There was a 2 row prototype Harmonetta, with built in synthesizer, called the CharlieMonica, built in the early 1970s. It is thought that Bernie Bray owned this instrument for a short time.
The codemaker makes a four-digit number with no repeats, and the codebreaker tries to guess this number in as few moves as possible. When the codebreaker makes a guess, the codemaker says the amount of “A”s, or the correct digits in the number as well as in the right place, and the amount of “B”s, or the correct digits in the number ...
These two instruments were sold in parallel until the late 1960s. Case styles were identical for models C and N through the 1960s causing many to misidentify these instruments. The most obvious point of visual difference is the differing keyboard range, C to C for the Cembalet and F to F for the Pianet.
Instrument Tradition Hornbostel–Sachs classification Description banjo (with resonator) [1] [2] African American: 321.312-5 Four or five stringed instrument, plucked with a bare thumb and a forefinger covered by a metal thimble, traditionally with four or five strings, gimbri guinbri, guimbri, gimbri, ginibri Gnawa music: 321.312