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As Austen scholar Norman Page explains, "the first sentence is straight narrative, in the 'voice' of the [narrator]; the third sentence is normal indirect speech; but the second and fourth are what is usually described as free indirect speech." [20] In these two sentences, Austen represents the inner thoughts of the character and creates the ...
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Indirect or implicit characterization The audience must infer for themselves what the character is like through the character's thoughts, actions, speech (choice of words, manner of speaking), physical appearance, mannerisms and interaction with other characters, including other characters' reactions to that particular person.
The villanelle is an example of a fixed versed form. Tanka – a classical Japanese poem, composed in Japanese (rather than Chinese, as with kanshi) Ode – a poem written in praise of a person (e.g. Psyche), thing (e.g. a Grecian urn), or event; Ghazal – an Arabic poetic form with rhyming couplets and a refrain, each line in the same meter
Haiku – form of short Japanese poetry consisting of three lines. Instapoetry; Tanka – classical Japanese poetry of five lines. Lied – Limerick – a kind of a witty, humorous, or nonsense poem, [3] especially one in five-line anapestic or amphibrachic meter with a strict rhyme scheme (aabba), which is sometimes obscene with humorous ...
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
The Preface to Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition published in 1800 of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It came to be seen as a de facto manifesto of the Romantic movement. [1] Key assertions about poetry include:
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...