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Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York. Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture.
Alice Bailly (25 February 1872 – 1 January 1938) was a Swiss avant-garde painter, known for her interpretations on cubism, fauvism, futurism, her wool paintings, and her participation in the Dada movement. [1]
He took up art in his spare time and, from 1934 to 1937, explored Cubist principles at the Crowely-Fizelle School. Introduced to works of Wassily Kandinsky , Fernand Léger , and Piet Mondrian , Balson began teaching abstract painting in 1949 and committed full-time to art in 1955.
Thornton Willis (born May 25, 1936) is an American abstract painter. He has contributed to the New York School of painting since the late 1960s. Viewed as a member of the Third Generation of American Abstract Expressionists, his work is associated with Abstract Expressionism, Lyrical Abstraction, Process Art, Postminimalism, Bio-morphic Cubism (a term he coined) and Color Field painting.
Dancer in a Café (also known as Danseuse au café or Au Café Concert and Danseuse) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger.The work was created while Metzinger and Albert Gleizes, in preparation for the Salon de la Section d'Or, were publishing, Du "Cubisme", [1] the first major defense of the Cubist movement, and it was first displayed (under the ...
Cubism was an avant-garde art movement that revolutionized European painting and sculpture in the early 20th century. The essence of cubism is that instead of viewing subjects from a single, fixed angle, the artist breaks them up into a multiplicity of facets, so that several different aspects/faces of the subject can be seen simultaneously.
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Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and ...
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