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Undertone singing. Undertone singing is a set of singing techniques in which the vocalist makes use of vibrations of the vocal apparatus [1] in order to produce subharmonic tones below the bass tone and extend the vocal range below the limits of the modal voice. [2]
In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
Vocal warm-up demonstration from the United States Navy Band. A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. Vocal warm-ups are essential exercises for singers to enhance vocal performance and reduce the sense of effort required for singing. Research demonstrates that engaging in vocal ...
Voice projection is the strength of speaking or singing whereby the human voice is used powerfully and clearly. It is a technique employed to command respect and attention, such as when a teacher talks to a class, or simply to be heard clearly, as used by an actor in a theatre or during drill. Breath technique is essential for proper voice ...
Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially ...
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Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme. Where the term is employed in this way, it is usually in the context of the late Romantic German operas or " music dramas " that were composed by Richard Wagner and others in the 19th century.
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