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Kant's ideas allowed Johann Friedrich Blumenbach and his followers to formulate the science of types (morphology) and to justify its autonomy. [5] Kant held that there was no purpose represented in the aesthetic judgement of an object's beauty. A pure aesthetic judgement excludes the object's purpose. [6]
Immanuel Kant [a] (born Emanuel Kant; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential and controversial figures in modern Western philosophy.
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Kant further divides the Doctrine of Elements into the Transcendental Aesthetic and the Transcendental Logic, reflecting his basic distinction between sensibility and the understanding. In the "Transcendental Aesthetic" he argues that space and time are pure forms of intuition inherent in our faculty of sense.
It is important to note that Kant uses the term "aesthetics" ("Ästhetik") to refer to any sensual experience. [16] The work most crucial to aesthetics as a strand of philosophy is the first half of his Critique of the Power of Judgment, the Critique of the Aesthetic Power of Judgment.
In Kant's Transcendental Idealism, Henry E. Allison proposes a new reading that opposes, and provides a meaningful alternative to, Strawson's interpretation. [14] Allison argues that Strawson and others misrepresent Kant by emphasising what has become known as the two-worlds reading (a view developed by Paul Guyer). This—according to Allison ...
Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty.
Kant gives his first definition of an end in Critique of Aesthetic Judgement: “an end is the object of a concept [i.e. an object that falls under a concept] insofar as the latter [the concept] is regarded as the cause of the former [the object] (the real ground of its possibility).”(§10/220/105). [5] Kant characterises an end as a one ...