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The concerto was written to be played on the basset clarinet, which can play lower notes than an ordinary clarinet, but after the death of Mozart it was published with changes to the solo part to allow performance on conventional instruments. The manuscript score is lost, but from the latter part of the 20th century onwards many performances of ...
Frank Miller, cello, Mieczyslaw Horszowski, piano 1950, DL 9543 Benjamin: Jamaican Rumba: Brooks Smith, piano 1957, DL 9926 Brahms: Clarinet Quintet in B minor, Op. 115 Busch Quartet 1938, DB 8471-4 Brahms Clarinet Quintet in B minor, Op. 115 Fine Arts Quartet: 1951, DL 9532 Brahms Sonata for Clarinet and Piano in F minor, Op. 120 No.1 Joel ...
The Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra) was awarded from 1959 to 2011. From 1967 to 1971, and in 1987, the award was combined with the award for Best Instrumental Soloist Performance (without orchestra) and awarded as the Grammy Award for Best Classical Performance – Instrumental Soloist or Soloists (with or without orchestra).
The Clarinet Concerto ends with a fairly elaborate coda in C major that finishes off with a clarinet glissando – or "smear" in jazz lingo." The piece is written in a very unusual form. The two movements are played back-to-back, linked by a clarinet cadenza .
A clarinet concerto is a concerto for clarinet; that is, a musical composition for solo clarinet together with a large ensemble (such as an orchestra or concert band). Albert Rice has identified a work by Giuseppe Antonio Paganelli as possibly the earliest known concerto for solo clarinet; its score appears to be titled "Concerto per il Clareto ...
In addition to the solo clarinet, the only other instruments called for in the score are two bassoons, two horns, snare drum and strings. Because of the prominence of the snare drum line in the piece, a snare drum is still called for in the piano reduction.
As in many of Carter's later works, the full 18-man chamber orchestra rarely plays tutti; instead the clarinet soloist takes part in a sequence of dialogues with subsections of the orchestra (piano, harp and pitched percussion in the first movement; unpitched percussion in the second (vibraphone, marimba); muted brass in the third; woodwinds in ...
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. [1]
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