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Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer , especially when dealing with an object of cultural heritage .
Traditional Asian lacquer has been used for centuries [2] and is derived from sap, prominently that from the Urushi tree; part of the sumac family grown throughout Japan, China and Korea. [3] Sap from the tree contains a chemical compound called urushiol that hardens when exposed to humidity. [4] The sap is processed to remove impurities. [5]
Upon excavation, much of the furniture was conserved with paraffin wax mixed with carbon powder, which coats the wood and obscures important details such as decorations and joinery. It is now impossible to remove the wax coating without further damaging the furniture. Several wooden pieces were found with bone and metal fittings. [95]
Kabuto (helmets) could have a neck guard (shikoro) made with kikko plates sewn to a cloth backing. Ian Bottomley, in his book titled Arms and armor of the samurai: the history of weaponry in ancient Japan , shows a forehead protector ("hitai ate") with a kikko hood, and calls the kikko chest armor ("kikko gane do") a form of "tatami", or ...
It is distinct from true East Asian lacquer, which is made by coating objects with a preparation based on the dried sap of the Toxicodendron vernicifluum tree, which was not available in Europe. Japanning is most often a heavy black lacquer, almost like enamel paint. Black is common, and japanning is often synonymous with black japanning.
The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay , or intarsia , in which a solid body of one material is cut out to receive sections of ...
A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes.
A left-arm vambrace; the bend would be placed at the knight's elbow An ornate German (16th century) vambrace made for Costume Armor. Vambraces (French: avant-bras, sometimes known as lower cannons in the Middle Ages) or forearm guards are tubular or gutter defences for the forearm worn as part of a suit of plate armour that were often connected to gauntlets.
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