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A banshee (/ ˈ b æ n ʃ iː / BAN-shee; Modern Irish bean sí, from Old Irish: ben síde [bʲen ˈʃiːðʲe], "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, [1] usually by screaming, wailing, shrieking, or keening.
The Scream is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. Its innovative combination of angular and serrated guitar with a bass-led rhythm and machine-like drums played mostly on toms , made it a pioneering work of the post-punk genre.
Irish folklore (Irish: béaloideas) refers to the folktales, balladry, music, dance and mythology of Ireland.It is the study and appreciation of how people lived. The folklore of Ireland includes banshees, fairies, leprechauns and other mythological creatures, and was typically shared orally by people gathering around, sharing stories.
NME retrospectively wrote in 2009: "Manna from heaven for all Siouxsie and the Banshees obsessives, Downside Up is a four-CD box set of the band's B-sides and bonus material, including the spellbinding 'Tattoo' and 'Eve White/Eve Black'." [7]
"Mittageisen" is a song by English rock band Siouxsie and the Banshees. It originally appeared on the band's 1978 debut album The Scream as "Metal Postcard (Mittageisen)"; the track was re-recorded in 1979, this time with the lyrics sung in German, and released as a single in West Germany with "Love in a Void" on the b-side.
"Overground" is a song by English rock band Siouxsie and the Banshees. It was originally featured on their debut studio album, The Scream (1978). The band re-recorded the track with elaborate, lush orchestral instrumentation with a flamenco acoustic guitar for its inclusion on the four-track extended play The Thorn (1984).
“Halloween” By Siouxsie And The Banshees Siouxsie Sioux is basically the unofficial queen of Halloween, so it should come as no surprise that she wrote a rockin’ song about the occasion. 39.
The Edge cited Siouxsie and the Banshees Mk1 of 1977–1978 among the bands who inspired him for U2's early albums. [29] Producer Steve Lillywhite who recorded The Scream and U2's debut album explained to journalist John Robb: "in terms of the guitar playing...John McKay came before all these people". "He was the innovator".