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The intent may be to demonstrate dominance over the deceased (such as scalp-taking or forming necklaces of severed ears or teeth), to humiliate or intimidate the enemy (such as shrunken heads or skull cups), or in some rare cases to commemorate the deceased (such as the veneration of the relics of saints).
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
In the late 16th and through the 17th century, memento mori jewelry was popular. Items included mourning rings, [16] pendants, lockets, and brooches. [17] These pieces depicted tiny motifs of skulls, bones, and coffins, in addition to messages and names of the departed, picked out in precious metals and enamel. [17] [18]
The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite. Deities, women, and men were depicted wearing this jewelry. One example can be seen on the famous gold mask of Tutankhamun.
Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
1917-1987 - Official jewelry maker of Alpha Omicron Pi; 1920-1970 - Official jewelry maker of Lambda Chi Alpha fraternity [17] 1932-1968 - Official jewelry maker of the National Society of Pershing Rifles ROTC fraternal organization; 1921-1998 and 2017 - Norwich University Skull and Swords Secret Honor Society, and Skull and Swords Alumni ...
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