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The album consists of twelve of Roxette's ballads and downtempo tracks, translated into Spanish by songwriter Luis Gomez Escolar, of whom very little is known. [1] Escolar's translations have been criticised by both fans and media for being poorly representative of the original English lyrics, as well as for being overly-simplistic and juvenile.
The Museo de la Música Puertorriqueña (English: Museum of Puerto Rican Music) is a museum in Ponce, Puerto Rico, that showcases the development of Puerto Rican music, with displays of Taíno, Spanish, and African musical instruments that were played in the romantic danza genre, the favorite music of 19th-century Puerto Rican high society, as well as the more African-inspired bomba and plena ...
"De Música Ligera" (Spanish for Of easy-listening music) is a song by the Argentine rock band Soda Stereo, released as a promotional single for their fifth studio album Canción Animal (1990). [1] Widely considered to be Soda Stereo's most popular song, [ 2 ] it is considered an anthem of rock en español .
La Música No Se Toca (English: The music is not played) is the tenth studio album recorded by Spanish singer-songwriter Alejandro Sanz. It was produced by himself alongside Colombian Grammy award winner Julio C. Reyes. It was released by Universal Music Latino and Universal Music Spain on September 25, 2012. [1]
Chanchona music is popular in Eastern El Salvador and it is present there in most of their civic parades and religious holidays. Popular chanchona acts include: la Chanchona de Tito Mira, la Chanchona de Arcadio, Rayos de Oriente, Sonora Santa Marta, and Los Torogoces de Morazán. [3] Zafacaite
"Playa del Inglés" (Spanish for: English Beach) is a song by the Spanish singer Quevedo and Puerto Rican singer Myke Towers. Released as the fourth and final single from Quevedo's album " Donde Quiero Estar ". [ 1 ]
En éxtasis (English: In ecstasy) is the fourth studio album by Mexican singer Thalía, released on 12 September 1995, by EMI Latin. The album became a huge success in Latin America and other countries.
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.