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Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]
The Rega Planar 3 turntable, shown here without its felt mat. The RB300 arm fitted has a non-standard counterweight. The Rega Planar 3, together with its successors, the P3 and RP3, is a well-known budget audiophile turntable by British hi-fi manufacturer, Rega Research available since 1977. It was a belt-drive deck that broke from convention ...
The 1970s saw the inclusion of a deck for playing cassette tapes in addition to the turntable and receiver components. The cassette deck was either a top-loading unit beside the turntable or a front-loading unit mounted on a deeper front panel. [4] "Midi" system, circa 1980s. Quadraphonic sound was released in 1970 and never gained much popularity.
In a direct-drive turntable the motor is located directly under the center of the platter and is connected to the platter directly. It is a significant advancement over older belt-drive turntables for turntablism, since they have a slower start-up time and torque, and are prone to wear-and-tear and breakage, [5] as the belt would break from backspinning or scratching. [6]
Turntablism has origins in the invention of direct-drive turntables.Early belt-drive turntables were unsuitable for turntablism, since they had a slow start-up time, and they were prone to wear-and-tear and breakage, [9] as the belt would break from backspinning or scratching. [10]
Two turntables and a microphone" is the basic concept of a DJ's equipment. This phrase describes turntables (phonographs) and a microphone connected to a mixer. The DJ uses the mixer's crossfader to fade between two songs playing on the turntables. Fading often includes beatmatching. Live hip hop music also often has an MC rapping into
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