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"As Long as He Needs Me" is a torch song sung by the character of Nancy in the 1960 musical Oliver! and written by Lionel Bart. Georgia Brown , who was the first actress to play Nancy, introduced the song.
The group alleged that Cena and the WWE stole parts of their song "Ante Up" for his theme song, arguing that the song was unlawfully sampled and clearly repeated three times, during the introduction, the second and third chorus. M.O.P. sought the destruction of the song and $150,000 in damages. They dropped the lawsuit two months later. [8] [9]
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
2. In the Adobe Flash Player Settings Manager box, ensure that the check boxes next to Allow third-party Flash content to store data on your computer and Store common Flash components to reduce download times are both checked. 3. Close your browser. 4. Launch your browser and retry the video.
"Today" is a song written by Brice Long and Tommy Lee James, and recorded by American country music artist Gary Allan. It was released in June 2009 as the first single from his 2010 album Get Off on the Pain. The song reached number 18 on the U.S. Billboard Hot Country Songs chart in early 2010.
The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]
"As Long as You Love Me" is a song by Canadian singer Justin Bieber from his third studio album, Believe (2012). The track features American rapper Big Sean . It was first released on July 10, 2012, as a promotional single from the album, and one month later it was released as the album's second single.
The song was praised by Insider 's Callie Ahlgrim, who called it a "thoughtful dynamic" and the lyrics a "breathtaking portrait of their in-sync collaborative skills". [31] Jon Caramanica from The New York Times said the keyboards on the recording are "urgent" and "elegiac", and described the chorus as "draining yet hopeful". [ 32 ]