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The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them.
Download as PDF; Printable version; ... the nature and size of the glass available and his or her own preferred technique. ... (9.1 m) high stained-glass windows, ...
Some opalescent glass was used by several stained glass studios in England from the 1860s and 1870s onwards, notably Heaton, Butler and Bayne. Its use became increasingly common. Opalescent glass is the basis for the range of glasses created by Tiffany. [notes 1] In addition opalescent glass comes in three main types.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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A stained glass window in the dining hall of Gonville and Caius College, Cambridge, commemorates Venn's work. In commemoration of the 180th anniversary of Venn's birth, on 4 August 2014, Google replaced its normal logo on global search pages with an interactive and animated Google Doodle that incorporated the use of a Venn diagram. [24] [25]
§6.2 Isohedral tiling, §6.3 isogonal tiling, §6.4 isotoxal tiling, list of isotoxal tilings, §6.5 striped pattern, §6.6 Evgraf Fedorov, Alexei Vasilievich Shubnikov, planigon, Boris Delone: 7: Classification with respect to symmetries §7.1 Conjugate element, §7.7 arrangement of lines, §7.8 Circle packing: 8: Colored patterns and tilings ...
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).