Search results
Results from the WOW.Com Content Network
Casimir-Pierre Périer (11 October 1777 – 16 May 1832) was a French banker, mine owner, political leader and statesman. In business, through his bank in Paris and ownership of the Anzin Coal Co. in the Department of Nord, he contributed significantly to the economic development of France in the early stages of industrialization.
In Paris, Claude made contacts with leading merchant-manufacturers and money-managers, such as Jean Lecouteulx de Canteleu, William Sabatier, Médard Desprez and Jean-Frédéric Perregaux, and also the noted legal advisor, Pierre-Nicolas Berryer.
Perrier-Jouët advertisement from 1923. Perrier-Jouët ([pɛʁje ʒuɛt]) is a Champagne producer based in the Épernay region of ChampagneThe house was founded in 1811 by Pierre-Nicolas Perrier and Rose Adélaide Jouët, and produces both vintage and non-vintage cuvee, approximately 3,000,000 bottles annually, with its prestige label named Belle Epoque.
On the 1683 retirement of Henry Du Mont and Pierre Robert the position of maître of the chapelle was divided into four positions: Pascal Collasse (1649–1709), sous-maître from 1683 to 1704, assistant to Lully until 1683, when he won one of the four seasonal assignments into which the Chapelle Royale directorship had been divided.
Jean Perier (1679-1726), King's Counselor, Lieutenant General of the Admiralty of Le Havre and Harfleur, churchwarden of Saint-François; Pierre Perier du Petit Bois (1688-1729), captain of merchant ships, married for the first time (1714) to Marie Anne Le Prestre (1691 - after 1715), daughter of Jacques Le Prestre, captain quartermaster, and ...
Emile and Isaac Pereire moved from Bordeaux to Paris in 1822 and 1823 respectively, where they initially lived in the house of their uncle Isaac Rodrigues-Henriques , a banker. They became followers of Saint-Simonism. They kept their commitment to Saint-Simonian beliefs despite their break with Barthélemy Prosper Enfantin in the early 1830s. [3]
Pierre Perrier and his team also rely on Chinese literature, which he describes as abundant. He identifies more than twenty Judeo-Christian signs in the fresco and emphasizes that there are no symbols that can be linked to the Roman vision, but that the representations refer to the Parthian society. Thomas would then go back to southern India ...
Le Veneur in front of Château Perrier in Épernay, by Pierre Le Nordez (1890) Antoine de Lasalle in Lunéville, by Henri-Louis Cordier (1892) Joan of Arc at Place du Parvis, Reims, by Paul Dubois (1896), new cast of the Paris version, erected in 1900; Joan of Arc in Mirecourt, by Emmanuel Frémiet (1903), new cast of the Paris version