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"Just to See Her" is a 1987 song written by Jimmy George and Lou Pardini and recorded by American R&B recording artist Smokey Robinson from his studio album One Heartbeat (1987). "Just to See Her" peaked at No. 7 in Cash Box and No. 8 on the Billboard Hot 100 in July 1987.
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
Just Major chord: Play ⓘ 3-11B: 0 4 7 ... See also. Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant ...
In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies. An interval tuned in this way is said to be pure, and is called a just interval. Just intervals (and chords created by combining them) consist of tones from a single harmonic series of an implied ...
The album contains Robinson's last two US Billboard top 10 singles: "Just to See Her" (which won Robinson a Grammy Award in the category of Best Male R&B Vocal performance) and "One Heartbeat". "What's Too Much" was released as the album's third and final single. The album was certified Gold by the RIAA. [1]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
Bill Evans performing at the Montreux Jazz Festival in 1978. Mastering the various chord voicings—simple to advanced—is the first building block of learning jazz piano. Jazz piano technique uses all the chords found in Western art music, such as major, minor, augmented, diminished, seventh, diminished seventh, sixth, minor seventh, major seventh, suspended fourth, and so
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