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"Just to See Her" is a 1987 song written by Jimmy George and Lou Pardini and recorded by American R&B recording artist Smokey Robinson from his studio album One Heartbeat (1987). "Just to See Her" peaked at No. 7 in Cash Box and No. 8 on the Billboard Hot 100 in July 1987.
Just Major chord: Play ⓘ 3-11B: 0 4 7 ... See also. Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant ...
The album contains Robinson's last two US Billboard top 10 singles: "Just to See Her" (which won Robinson a Grammy Award in the category of Best Male R&B Vocal performance) and "One Heartbeat". "What's Too Much" was released as the album's third and final single. The album was certified Gold by the RIAA. [1]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A unique particularity of the minor chord is that this is the only chord of three notes in which the three notes have one harmonic – hearable and with a not too high row – in common (more or less exactly, depending on the tuning system used). This harmonic, common to the three notes, is situated 2 octaves above the high note of the chord.
The G–B–C–Cm chord progression is repeated throughout, alternating between arpeggiated chords in the verses and last chorus and distorted power chords during the first two choruses. In G major, these may be interpreted as "I–V7/vi–IV–iv". [16] According to Guy Capuzzo, the ostinato mirrors the lyrics.
Lou Pardini (born June 5, 1952) is an American Grammy-nominated keyboardist, songwriter and vocalist who is now best known as a former member of the rock band Chicago.He is known for his work with notable musicians such as Stevie Wonder, Santana, Elton John, Peabo Bryson, Earth, Wind, & Fire and The Doobie Brothers, and he has written hit songs for Patti Austin, Kenny G, The Temptations, and more.
The parallel chord (but not the counter parallel chord) of a major chord will always be the minor chord whose root is a minor third down from the major chord's root, inversely the parallel chord of a minor chord will be the major chord whose root is a minor third up from the root of the minor chord.
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