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The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)
Other female figures from Celtic mythology include the weather witch Cailleach (Irish for 'nun,' 'witch,' 'the veiled' or 'old woman') of Scotland and Ireland, the Corrigan of Brittany who are beautiful seductresses, the Irish Banshee (woman of the Otherworld) who appears before important deaths, the Scottish warrior women Scáthach, Uathach ...
They were female and carried their relationship to the sun atop their heads, and their cults remained active throughout the history of the culture. Later another sun god ( Aten ) was established in the eighteenth dynasty on top of the other solar deities, before the "aberration" was stamped out and the old pantheon re-established.
The Celtic goddesses were authoritative and were associated with female fertility as related to female divinity and earth. In olden times the Celtics land and national societies were both linked with the body of the goddess (also attributed as "tribal goddess") and her representative on earth was the queen.
The fairly strong evidence for a tradition of sovereignty goddesses in early Ireland has led to a fashion in Celtic scholarship for interpreting other female characters as euhemerised sovereignty goddesses, or for arguing that the portrayals of women have been influenced by traditions of sovereignty goddesses.
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The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
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