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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Braille music is a complete, well developed, and internationally accepted musical notation system that has symbols and notational conventions quite independent of print music notation. It is linear in nature, similar to a printed language and different from the two-dimensional nature of standard printed music notation.
In hyperbolic geometry, an ideal point, omega point [1] or point at infinity is a well-defined point outside the hyperbolic plane or space. Given a line l and a point P not on l, right- and left-limiting parallels to l through P converge to l at ideal points. Unlike the projective case, ideal points form a boundary, not a submanifold. So, these ...
The Omega Point is a theorized future event in which the entirety of the universe spirals toward a final point of unification. The term was invented by the French Jesuit Catholic priest Pierre Teilhard de Chardin (1881–1955). [ 1 ]
The term is a reference to the bass pedal keyboards that are used to sustain a pedal point in organ music. The most common and effective pedal notes are the tonic note (which can be held under the first eight bars of many blues progressions or even the entire 12 bars of some simpler progressions) and the dominant pedal (which can be used under ...
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The meaning of the word "ornamentation" points to the fact that there are events in a musical context that are less important to form an idea of the general gist of a sequence than others. The decision on the importance of events not only comprises harmonic considerations, but also rhythmic and motivic information.