Search results
Results from the WOW.Com Content Network
Pouding chômeur ("unemployed man's pudding", often translated idiomatically as "poor man's pudding") is a dessert that was created during the early years of the Great Depression [1] in Quebec, Canada. It typically involves a bread pudding covered in a mixture with a syrup, usually maple syrup and cream. [2]
The film stars Chloé Sainte-Marie as Yo-Yo and Louis-Philippe Davignon-Daigneault as Alphonse, a New Age cult priestess in Montreal and her faith healer nephew. [2] Events are set in motion when Alphonse's father Aristide (François Léveillé) threatens to commit suicide by jumping off the Jacques Cartier Bridge, leading to an ad hoc neighbourhood referendum on whether or not he should jump.
Chômeur is French for unemployed person. It may also refer to: Chômeur, a grammatical term to describe an element of a sentence that has been "demoted" Pouding chômeur, a dessert from Quebec; Tichumaren or Tishoumaren, a style of music in Northern Africa
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Maman Brigitte (English: Mother Brigitte) sometimes also written as Manman Brigitte and also known by Gran Brigitte, Grann Brigitte, Manman, Manman Brigit, and Maman Brijit is a death loa (or lwa) and the consort of Baron Samedi in Haitian Vodou. She drinks rum infused with hot peppers and is symbolized by a black rooster. [1]
The Mother and the Whore (French: La maman et la putain) is a 1973 French film directed by Jean Eustache and starring Jean-Pierre Léaud, Bernadette Lafont and Françoise Lebrun. An examination of the relationships between three characters in a love triangle , it was Eustache's first feature film and is considered his masterpiece.
^ Martin Fournier, Jardins et potagers en Nouvelle-France. Joie de vivre et patrimoine culinaire, Sillery, Septentrion, 2004, 242 p. (ISBN 978-2-89448-385-5). ^ Michel Lambert, Histoire de la cuisine familiale du Québec, vol. 1 : Ses origines autochtones et européennes, Québec, Les Éditions GID, 2007, 504 p
Petite Maman received critical acclaim. On the review aggregator website Rotten Tomatoes, 97% of 203 critics' reviews are positive, with an average rating of 8.70/10. The website's consensus reads: "Small in narrative scope but deeply impactful, Petite Maman is a delicate, powerfully acted meditation on grief."