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Play ⓘ with sustain pedal on (bottom measures) Piano pedals from left to right: soft pedal, sostenuto pedal and sustain pedal Location of pedals under the keyboard of the grand piano. A sustain pedal or sustaining pedal (also called damper pedal, loud pedal, or open pedal [1]) is the most commonly used pedal in a modern piano. It is typically ...
Standard MIDI continuous controller (CC) messages that users can select for pedals include: CC 64 (sustain pedal, the most commonly-used option); CC 65 ; CC 66 (sostenuto pedal); CC 67 (soft pedal); CC 68 (legato pedal); and CC 69 ("hold 2 pedal"). Some such keyboards, such as the Nord Stage, also include a jack for an expression pedal.
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]
The soft pedal or una corda pedal (Italian for 'one string'), is one pedal on a piano, generally placed leftmost among the pedals. On a grand piano this pedal shifts the whole action (including the keyboard) slightly to the right, so that the hammers, which normally strike all three of the strings for a note, strike only two of them.
In the 1970s, a variant form of keyboard bass, bass pedals, became popular.Bass pedals are pedal keyboards operated by musicians using their feet. The guitar players or bass players of bands such as Genesis' Mike Rutherford, Yes' Chris Squire, John Paul Jones of Led Zeppelin during acoustic sets, Geddy Lee of Rush, The Police (bassist Sting), or Atomic Rooster (organist Vincent Crane) use the ...
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A Roland keytar, keyboard MIDI controller designed to be worn with a shoulder strap during performance.The keytar does not produce any musical sounds by itself. As a MIDI controller, it only sends data about which keys or buttons are pressed to a MIDI-compatible sound module or synthesizer, which then produces the sounds.
The company was a pioneer in the field of computer music, introducing the pre-MIDI SoundChaser in 1982. This Apple II-based system included the Mountain Computer Music System, a programmable 8-voice wavetable synthesizer that fit in two Apple II slots, the Soundchaser 4-octave keyboard, and system software, written by Kusek, that emulated a four-track tape recorder.
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