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' half foreign ' in Hawaiian) is a genre of Hawaiian music which utilizes primarily English lyrics with themes and instruments attributed to Hawaii, such as the ukulele and steel guitar. Although it has its beginnings in the early 20th century with influences from traditional Hawaiian music and American ragtime , the term "hapa haole" now ...
The origins of the word predate the 1778 arrival of Captain James Cook, as recorded in several chants stemming from that time. [4] [5] The term was generally given to people of European descent; however, as more distinct terms began to be applied to individual European cultures and other non-European nations, the word haole began to refer mostly to Americans, including American Blacks (who ...
"My Little Grass Shack in Kealakekua, Hawaiʻi", written by Tommy Harrison, Bill Cogswell, and Johnny Noble in Hawaii in 1933, is a Hawaiian song in the Hawaiian musical style known as hapa haole. One of the earliest recordings by Ted Fio Rito and his orchestra reached number one on the charts in 1934. [ 1 ]
Ernest Kaʻai (1881–1962) was considered by many to have been the [1] foremost ukulele authority of his time and is noted by some as being "Hawaii's Greatest Ukulele Player". Kaʻai, who was born in Honolulu , Hawaii , was said to have been the first musician to play a complete melody with chords.
George Kahumoku Jr. is a Grammy Award-winning Hawaiian musician specializing in slack-key guitar. Born in Kona on the Big Island of Hawaiʻi, he was labeled as "Hawaii's Renaissance Man" by Nona Beamer because of his far reaching talents: farmer, author, musician and composer, sculptor and artist, and Hawaiian cultural practitioner, particularly as it relates to the land or 'aina.
Teaming with Dennis Ladd in 2000, Kotani published his first instruction book on slack key guitar titled Guitar Playing Hawaiian Style: Kī Hō‘alu, An Instrumental Method For Slack Key Volume One. He followed up in 2007 with an instructional DVD titled Guitar Playing Hawaiian Style with Ozzie Kotani: Kī Hō‘alu Vol. 1 and in 2009 with ...
"Silhouette Hula" is a hapa haole piece, recalling the early jazz years of Hawaiian music. For most of the 1980s, Salazar sang Hawaiian classics with the Royal Hawaiian Band and performed at venues in Waikiki and Japan. Jerry Byrd accepted Salazar as his student for formal study of Hawaiian steel guitar. Eventually, she received a full ...
His father, George “Pops” Rogers, was a respected Hawaiian steel guitarist, and his uncle, Benny Rogers, played steel guitar for the legendary Genoa Keawe [4] [5]. Together, the two older Rogers set an example of musical excellence and helped nurture a young David’s passion for the steel guitar.