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The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding ...
Musica enchiriadis is an anonymous musical treatise of the 9th century. It is the first surviving attempt to set up a system of rules for polyphony in western art music. The treatise was once attributed to Hucbald, but this is no longer accepted. [1] Some historians once attributed it to Odo of Cluny (879-942). [2]
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The vihuela de arco may be a variant of the vielle. Spain had a variety of fiddles (which predate the violin) in the cathedral artwork and manuscript miniatures. Possibly the vihuela de arco (bowed vihuela) and vihuela de penola (quill plucked vihuela) The bowed instrument could be called a vielle: Vihuela de arco (bowed vihuela).
Spanish singer Julio Iglesias was recognized by the Guinness World Records in 2013 as the best-selling male Latin artist of all time. [12]Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean.
1961 - 1st broadcast of Minna no Uta; 1963 - Sukiyaki reaches number 1 in the USA 1962 - 1st broadcast of Shichiji ni aimashō; 1964 - 1st broadcast of Music Fair; 1967 - Oricon founded; Akiko Nakamura [] released Nijiiro no mizūmi []; [6] Hibari Misora released Makkana Taiyō [7]
And even more bands ceased to be. After two successful albums that featured several would-be classics of the era, La Máquina de Hacer Pájaros hung up, as did Invisible, leaving as a legacy three albums: Invisible, Durazno Sangrando and Jardin de los Presentes. Pastoral, one of the last acoustic groups still successful, split by 1978, as did ALAS.