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Hitomi (Japanese: ひとみ), also known as ASTRO-H and New X-ray Telescope (NeXT), was an X-ray astronomy satellite commissioned by the Japan Aerospace Exploration Agency for studying extremely energetic processes in the Universe.
Invasion of Astro-Monster was released in Japan on December 19, 1965, by Toho, [3] on a double bill with Young Beats. [42] [4] [43] The film brought in about 3.8 million viewers in Japan [44] and was the tenth highest grossing Japanese film for that year, earning a distribution rental income of ¥210 million during its theatrical run. [7]
Kumi Mizuno (水野久美, Mizuno Kumi, born 1 January 1937 [1]) is a Japanese actress best known for appearing in several Toho kaiju films of the 1960s and early 1970s. [ 2 ] Early life
Seen from a superior planet, an inferior planet on the opposite side of the Sun is in superior conjunction with the Sun. An inferior conjunction occurs when the two planets align on the same side of the Sun. At inferior conjunction, the superior planet is "in opposition" to the Sun as seen from the inferior planet (see the diagram).
The Fated Sky: Astrology in History. Simon & Schuster. 369 pp. Caiozzo, Anna (2003). Images of the Sky. Paris-Sorbonne. Signs and Constellations. Archived 2021-04-17 at the Wayback Machine; Eric Francis (2016). "Why Your Zodiac Sign is Not Wrong" Hone, Margaret (1978). The Modern Text-Book of Astrology. Revised edition.
In the musical series "The Story of the Kitsune and the Demon"/"狐と鬼の話" (commonly referred to as "The Onibi series") by Japanese music producer - MASA Works DESIGN- there is a character named Shikyou (死凶) who is an Amanojaku that serves as the series antagonist.
Ryōbu Shintō (両部神道) – Also called shingon Shintō, in Japanese religion, the syncretic school that combined Shinto with the teachings of the Shingon sect of Buddhism. The school developed during the late Heian and Kamakura periods. The basis of the school's beliefs was the Japanese concept that kami were manifestations of Buddhist ...
Unlike Astro Boy, where the opening theme music was the same in both the Japanese and American versions (with only the lyrics changed), the Japanese and American versions of The Amazing 3 had different theme music, as well as considerably different opening and closing segments. The American version borrowed part of its melody from the Japanese ...