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A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music . It is also known as a mridanga (< Sanskrit mṛd + aṅga, lit. ' clay limb '), not to be confused with mridangam. It originates from the Indian states of Odisha, West Bengal, Assam and Manipur. The drum is played with palms and ...
These drums disseminated to the Indian subcontinent with the Mughal migration, and from India spread worldwide with the Indian diaspora. The tassa drum proper is a conical or bowl-shaped nagaara- (aka nagada or nagaada) type drum which is played with a heavy bass drum called dhol, or simply "bass", and brass cymbals or metal shakers called ...
These two membranes are dissimilar in diameter to allow for the production of both bass and treble sounds from the same drum. The bass aperture is known as the thoppi or eda bhaaga and the smaller aperture is known as the valanthalai or bala bhaaga. The smaller membrane, when struck, produces higher pitched sounds with a metallic timbre.
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region.
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.
It is widely used in qawwali, kirtan, lavani and bhangra.It was formerly used in classical dance. Indian children sing and dance to it during pre-wedding festivities. It is often used in Filmi Sangeet (Indian film music), in chutney music, chutney-soca, baitak gana, taan singing, bhajans, and the local Indian folk music of Jamaica, Suriname, Guyana, Caribbean, South Africa, Mauritius, and ...
The chöpen is attached to the end of the drum's handle so that it waves about while the drum is being played. They are most commonly made of brocade or silk using the colors of the tantric elements. On smaller damaru, the chöpen is usually found without adornment, but on chöd damaru, the tail will often feature several items which have been ...