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In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
He is best known as the principal guitarist in Howlin' Wolf's band from 1948 to 1953. [2] His raucous, distorted guitar playing is prominent on Howlin' Wolf's Memphis recordings during 1951–1953, including the hit song "How Many More Years" (recorded May 1951). [3] In 2017, Johnson was posthumously inducted in to the Blues Hall of Fame. [4]
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
Guitarist Buddy Guy performing at the Bonnaroo Music Festival in 2006. Chicago blues is a form of blues music developed in Chicago, Illinois, in the 1950s, in which the basic instrumentation of Delta blues—acoustic guitar and harmonica—is augmented with electric guitar, amplified bass guitar, drums, piano, harmonica played with a microphone and an amplifier, and sometimes saxophone.
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...
Howlin' Wolf reworked the song as a Chicago blues, which Chess Records issued as a single in 1957 and later included on the popular compilation series The Real Folk Blues (1966). [7] For the recording, he was backed by a typical blues ensemble consisting of electric guitar ( Hubert Sumlin ), piano (Hosea Lee Kennard), bass (Alfred Elkins), and ...