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The following other wikis use this file: Usage on ar.wikipedia.org كانو هوغاي; Usage on fr.wikipedia.org Kanō Hōgai; Usage on id.wikipedia.org
The photograph depicts a lush green rolling hill with cirrus clouds during a daytime sky, with mountains far in the background. [1] [2] It was taken by Charles O'Rear, a former National Geographic photographer and resident of St. Helena, California, in the Napa Valley region north of San Francisco, while on his way to visit his girlfriend in ...
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
Sculpture of Raijin from Sanjūsangen-dō temple in Kyoto. Kamakura period, 13th century. Raijin (雷神, lit. "Thunder God"), also known as Kaminari-sama (雷様), Raiden-sama (雷電様), Narukami (鳴る神), Raikō (雷公), and Kamowakeikazuchi-no-kami is a god of lightning, thunder, and storms in Japanese mythology and the Shinto religion. [1]
Tawaraya Sōtatsu (俵屋 宗達, c. 1570 – c. 1640) was a Japanese furniture designer and painter of the Rinpa school.. Sōtatsu is best known for his decorations of calligraphic works by his partner Hon'ami Kōetsu (1558–1637), [1] and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God [2] and his painting of the Sekiya and ...
The painting is a polychrome-and-gold screen that depicts a cypress tree against the backdrop of gold-leafed clouds, and surrounded by the dark blue waters of a pond. The painting stretches across two four-panel folding screens from circa 1590; it is made of paper covered with gold leaf , depicting a cypress tree, a symbol of longevity in Japan.
Kusanagi-no-Tsurugi (草 薙 の 剣) is a legendary Japanese sword and one of three Imperial Regalia of Japan.It was originally called Ame-no-Murakumo-no-Tsurugi (天 叢 雲 剣, "Heavenly Sword of Gathering Clouds"), but its name was later changed to the more popular Kusanagi-no-Tsurugi ("Grass-Cutting Sword").
By the mid-Nara period (ca. 750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre. Wall murals in the Takamatsuzuka Tomb , the Kitora Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style.
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