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Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
It was now about noon, and darkness came over the whole land [or, earth] until three in the afternoon, while the sun's light failed [or, the sun was eclipsed]; and the curtain of the temple was torn in two. [21] It appears that Luke may have originally explained the event as a miraculous solar eclipse.
Several passages have reference to this bird, its periodical migrations (Jeremiah 8:7), its nesting in fir-trees, its black pinions stretching from its white body (Zechariah 5:9; D.V., kite; but the stork, hasîdhah, is mentioned in the Hebrew text). Two kinds, the white and the black stork, live in Israel during the winter.
In the Gospel of Luke (Luke 5:1–11), [2] the first miraculous catch of fish takes place early in the ministry of Jesus and results in Peter as well as James and John, the sons of Zebedee, joining Jesus vocationally as disciples.
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By the 5th century, images of the Evangelists evolved into their respective tetramorphs. [3] By the later Middle Ages, the tetramorph in the form of creatures was used less frequently. Instead, the Evangelists were often shown in their human forms accompanied by their symbolic creatures, or as men with the heads of animals.
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy .
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