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Medea (Ancient Greek: Μήδεια, Mēdeia) is a tragedy by the ancient Greek playwright Euripides based on a myth. It was first performed in 431 BC as part of a trilogy, the other plays of which have not survived.
The comic tradition of women in politics was in fact common, as seen through Aristophanes' plays Lysistrata and Thesmophoriazusae. The idea of women surpassing their Athenian social order is also seen in Sophocles’ tragedy Antigone. [3] According to Erich Segal, reading the play as a genuine exploration of female power is incorrect.
In Greek mythology, Medea (/ m ɪ ˈ d iː ə /; Ancient Greek: Μήδεια, romanized: Mḗdeia; lit. ' planner, schemer ' ) [ 1 ] is the daughter of King Aeëtes of Colchis . In the myth of Jason and the Argonauts , she aids Jason in his search for the Golden Fleece .
Senecan tragedy specifically features a declamatory style, and most of his plays use exaggerations in order to make his points more persuasive. They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman ...
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
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The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée exacts her revenge on her husband by burning his new spouse and slitting the throats of her two children. The final act of the play ends with Médée's escape in a chariot pulled by two dragons, and Jason's suicide. [3]
The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [ 2 ]