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The iconography of military saints Theodore, George and Demetrius as horsemen is a direct continuation of the Roman-era "Thracian horseman" type iconography.The iconography of the dragon appears to grow out of the serpent entwining the "tree of life" on one hand, and with the draco standard used by late Roman cavalry on the other.
By chance Saint George arrived on horseback and killed or wounded the beast with his lance, allowing the princess to escape. Tintoretto's composition is unusual in that the viewer's eye is drawn to the foreground figure of the escaping princess with her bright pink cloak or to the bright heavenly light in the sky giving divine blessing for the ...
Goodreads.com calls Saint George and the Dragon "the perfect way to introduce a classic tale to a whole new generation of readers." [3] Steve Barancik of "The Best Children's Books" says "St. George appears scratched. The dragon loses some bloody appendages. Thus, make your own decisions about sharing the book with younger children."
Download as PDF; Printable version; In other projects Appearance. move to sidebar hide. From Wikipedia, the free encyclopedia. Redirect page. ... St George and the ...
Saint George and the Dragon by Bernt Notke. Saint George and the Dragon (Swedish: Sankt Göran och draken) is a late medieval wooden sculpture depicting the legend of Saint George and the Dragon, located in Storkyrkan in Stockholm, Sweden. It is attributed to Bernt Notke and was commissioned by the Swedish regent Sten Sture the Elder. It was ...
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Saint George and the Dragon, also known as Saint George Killing the Dragon is a tempera painting by the Catalan artist Bernat Martorell, painted c. 1434 – c. 1435. It depicts the famous legend of Saint George and the Dragon, in which the Christian knight Saint George rescues a princess from a dragon. [1] [2]
The story of Saint George and the Dragon is one of many stories of the saints preserved in the Golden Legend. The Golden Legend ( Latin : Legenda aurea or Legenda sanctorum ) is a collection of 153 hagiographies by Jacobus de Voragine that was widely read in Europe during the Late Middle Ages .