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The International Affective Picture System (IAPS) is a database of pictures designed to provide a standardized set of pictures for studying emotion and attention [1] that has been widely used in psychological research. [2]
In psychology we study consciousness with the help of consciousness. Here new possibilities are opened and the same time new limitations occurred, in part, due to the subjectivity and the necessity to overcome it as it is known, in the psyche there are conscious and unconscious cognitive processes.
An external image is the totality of all perceptions, feelings, and judgments that third parties make about an individual.These interpersonal perceptions are automatically linked to earlier experiences with the person being observed and with the feelings arising from these interactions and evaluations.
Psychologist E.R Jaensch states that eidetic memory as part of visual thinking has to do with eidetic images fading between the line of the after image and the memory image. [ citation needed ] A fine relationship may exist between the after image and the memory image, which causes visual thinkers from not seeing the eidetic image but rather ...
Another study conducted in 2004 [27] examined the level of response to alcohol and brain response during visual working memory. This study looked at the neural correlated of the low level of response to alcohol using functional magnetic resonance imaging during a challenging visual memory task. The results were that young people who report ...
Visual memory can be defined as the process by which one encodes and remembers visual information such as pictures. Visual memory is relevant to boundary extension because boundary extension is a visual memory phenomenon where one has to rely on the visual aspects of memory to try and recall pictures or notice any changes in the pictures or scenes.
Mental images are an important topic in classical and modern philosophy, as they are central to the study of knowledge. In the Republic , Book VII, Plato has Socrates present the Allegory of the Cave : a prisoner, bound and unable to move, sits with his back to a fire watching the shadows cast on the cave wall in front of him by people carrying ...
For Lacan, the driving-force behind the creation of the ego as mirror-image was the prior experience of the phantasy of the fragmented body. "Lacan was not a Kleinian, though he was the first in France…to decipher and praise her work," [7] but "the threatening and regressive phantasy of 'the body-in-pieces'…is explicitly related by Lacan to Melanie Klein's paranoid position."