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The Illustrated Chronicle of Ivan the Terrible (Russian: Лицевой летописный свод, romanized: Litsevoy letopisny svod; 1560-1570s) is the largest compilation of historical information ever assembled in medieval Russia. It is also informally known as the Tsar Book (Царь-книга), in an analogy with Tsar Bell and Tsar ...
Book of the Dead of Sobekmose, the Goldworker of Amun, 31.1777e, Brooklyn Museum. The dimensions of a Book of the Dead could vary widely; the longest is 40 m long while some are as short as 1 m. They are composed of sheets of papyrus joined together, the individual papyri varying in width from 15 cm to 45 cm.
The English word terrible is usually used to translate the Russian word grozny (грозный) in Ivan's epithet, but this is a somewhat archaic translation. The Russian word grozny reflects the older English usage of terrible as in "inspiring fear or terror; dangerous; powerful" (i.e., similar to modern English terrifying or formidable ).
Upon his return, Ivan condemned the two to prison, where they died shortly thereafter. Pavlov links Ivan's turn against the higher echelons of oprichniki to the increasing number of the lower-born among their ranks. Ivan may have reacted to the apparent discontent among the princely oprichniki over the brutal treatment of Novgorod.
Ivan the Terrible and His Son Ivan on 16 November 1581 [a] is a painting by Russian realist artist Ilya Repin made between 1883 and 1885. It depicts the grief-stricken Russian tsar Ivan the Terrible cradling his dying son, the Tsarevich Ivan Ivanovich , shortly after Ivan the Terrible had dealt a fatal blow to his son's head in a fit of anger.
The generic name False Dmitry (also Pseudo-Demetrius, Russian: Лжедмитрий, Lžedmitrij) refers to various impostors who passed themselves off as the deceased Tsarevich Dmitry Ivanovich of Russia, the youngest son of Ivan the Terrible, and claimed the Russian throne during the Time of Troubles (1598–1613), after the real Dmitry's death at the age of eight in 1591. [1]
Nikolay Karamzin questioned the existence of Ivan Peresvetov and proposed the idea that it was a pseudonym for Ivan the Terrible himself, or a fabrication of later historiographers meaning to depict Ivan the Terrible and his reforms in a positive way. Most subsequent historians do not agree with the assumption that it is a pseudonym, and rather ...
The story begins with a stream of short, self-referring internal polemics with various individuals and points of view by a frustrated writer called Ivan Ivanovich. The apparently disconnected and random nature of his speech suggests some sort of mental disturbance, possibly related to delirium tremens : his very first polemical engagement is ...