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Daniel Chandler defines the term as "a signifier with a vague, highly variable, unspecifiable or non-existent signified". [4] The concept of floating signifiers originates with Claude Lévi-Strauss, who identified cultural ideas like mana as "represent[ing] an undetermined quantity of signification, in itself void of meaning and thus apt to receive any meaning".
[T]he multitude of 'floating signifiers' […] is structured into a unified field through the intervention of a certain 'nodal point' (Lacanian point de capiton) which 'quilts' them [to] […] the 'rigid designator', which totalizes an ideology by bringing to a halt the metonymic sliding of its signified […] it is a signifier without the ...
An 'empty' or 'floating signifier' is variously defined as a signifier with a vague, highly variable, unspecifiable or non-existent signified. Such signifiers mean different things to different people: they may stand for many or even any signifieds; they may mean whatever their interpreters want them to mean. [27]
Semiotics (/ ˌ s ɛ m i ˈ ɒ t ɪ k s / SEM-ee-OT-iks) is the systematic study of sign processes and the communication of meaning.In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter.
Business ethics operates on the premise, for example, that the ethical operation of a private business is possible—those who dispute that premise, such as libertarian socialists (who contend that "business ethics" is an oxymoron) do so by definition outside of the domain of business ethics proper.
Within the broad framework of syntactic and semantic codes, the addresser will select signifiers that, in the particular context, will best represent his or her values and purposes. But the medium of communication is not necessarily neutral and the ability of the addressee to accurately decode the message may be affected by a number of factors.
"Structure, sign, and play" discusses how philosophy and social science understand 'structures' abstractly. Derrida is dealing with structuralism, a type of analysis which understands individual elements of language and culture as embedded in larger structures.
identify distinctive signifiers, define their significance, and; divide material into paradigmatic classes and identify the codes to which the signifiers belong (Roland Barthes). The initial assumption is that the communication to be analysed represents both a cognitive use of the sign system and a statement that refers to the values of the ...