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Faile (USA/Canada/Japan) - stencil graffiti, street poster art, screenprinting; Ray Ferrer (USA) - spray paint, hand-cut stencils; Josh MacPhee (USA) - stencil graffiti, street poster art, screenprinting; Scott Williams (USA) Christopher Wool (USA) Shepard Fairey (USA) - stencil graffiti, street poster art, screenprinting, political art
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
A template is used to create an outline of the image. Stencils templates can be made from any material which will hold its form, ranging from plain paper, cardboard, plastic sheets, metals, and wood. Official use
See WP:PD § Fonts and typefaces or Template talk:PD-textlogo for more information. This work includes material that may be protected as a trademark in some jurisdictions. If you want to use it, you have to ensure that you have the legal right to do so and that you do not infringe any trademark rights.
This work prominently depicts a work of illegal graffiti which might not be in the public domain and has not been released under a free license. Occasionally graffiti will be kept, using the claim that an author might be denied any copyright relief based on an illegal act; however, there is no evidence of this legal theory being tested.
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
Andre Pierre Charles (born 1968) is an American artist born in Brooklyn, New York and raised in the Bronx. [1] Charles is best known as a 1980s pioneer of the New York City graffiti art movement and for his influence on New York City nightclub and youth culture.
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE