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Bill Hensley, Mountain Fiddler, Asheville, North Carolina. Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music.Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
Fiddlesticks are traditional instruments used to add percussion to old-time and Cajun fiddle music, allowing two people to play the fiddle at the same time. While the fiddler plays in normal fashion, a second person uses a pair of straws, sticks, or knitting needles to tap out a rhythm on the strings over the upper fingerboard (between the bow ...
The canonical American fiddle tune, "The Devil Went Down to Georgia" was written by Charlie Daniels as an interpretation the "Lonesome Fiddle Blues" by Vassar Clements and has been covered innumerable times. Although classified as country rock, the tune uses licks based on old-time fiddle playing and rock guitar riffs. Unlike most old-time ...
Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns. [1]
Since the 1970s, Leftwich has performed and taught at folk festivals, concerts, and music camps, written books on both fiddle and banjo, released instructional old-time fiddle videos and written articles on traditional fiddling. He also maintains a youtube channel with some of his original field recordings.
This fiddle was passed down through the Walsh family in the early 1900s. Missouri fiddling is a unique style and repertoire of traditional folk violin playing practiced in Missouri , United States. Historian and fiddler Howard Wight Marshall has been active in its preservation and has published several full-length books on it.
Athabaskan fiddle (or fiddle music, fiddling) is the old-time fiddle style that the Alaskan Athabaskans of the Interior Alaska have developed to play the fiddle , solo and in folk ensembles. Fiddles were introduced in this area by Scottish , Irish , French Canadian , and Métis fur traders of the Hudson's Bay Company in the mid-19th century.
Fiddlers tend to play fast and make heavy use of staccato bowing and may from time to time "play the bass", meaning a second fiddler may play a melody an octave below where a first fiddler is playing it. Sligo fiddling from northern Connacht, which like Donegal fiddling tends to be fast, but with a bouncier feel to the bowing.