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Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music. Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns. [1]
Within old time music there are regional subgenres, such as the Deep South and Appalachia, where fiddle music is often intertwined with cultural phenomena such as coal mining. A comprehensive review of old time fiddle styles was written by David Reiner and Peter Anick and published in 1989. [5]
Keys less typical of old-time fiddle tunes like F, B-flat, and E-flat are more common in works from this region due to the violin’s stronger association with classical German music. Longer bow-strokes are more prominent in Little Dixie style compared to Ozark style, and the melodies tend to be more complex.
Fiddlesticks are traditional instruments used to add percussion to old-time and Cajun fiddle music, allowing two people to play the fiddle at the same time. While the fiddler plays in normal fashion, a second person uses a pair of straws, sticks, or knitting needles to tap out a rhythm on the strings over the upper fingerboard (between the bow ...
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
Since the late 1960s, Wine was regionally well known for his lively style of old-time fiddling. [2] He has also been recognized for his versatility on the fiddle and is "renowned for his deft bow work, and the immensity of his repertoire, including varied melodies and tunes of his youth, many of which date back more than 200 years to the ...
The difference was likely compounded by the different sounds expected of violin music and fiddle music. Historically, the majority of fiddle music was dance music, [3] while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat ...
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