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During the Early Middle Ages, brocade fabrics were available only to the wealthiest of people as the Byzantine emperor charged extreme prices for the fabric. The designs woven into brocade fabrics were often Persian in origin. It was also common to see Christian subjects depicted in the complex weaves of the fabric. When these luxurious fabrics ...
A twill brocade and its fabric weave structure, 7th–10th century. Sichuan embroidery is based on the use of coloured silk and satin cloth. It is marked by its even stitching and subtle colours. The general closeness of the stitches allows for embroidering intricate details.
Brocatelle is a silk-rich fabric with heavy brocade designs. The material is characterized by satin effects standing out in relief in the warp against a flat ground. It is produced with jacquard weave by using silk, rayon, cotton, or many synthetic yarns. [1] [2]
Bizarre silks were woven on the drawloom, and the colorful patterns were brocaded or created with floating pattern wefts ().At the height of the fashion, the average repeat of a bizarre silk pattern was 27 inches (69 cm) high and ten inches (26 cm) wide, repeating twice across the width of the fabric. [4]
Tradition silk handlooms, in Varanasi India, where it usually takes two months to weave a Banarasi saree.. The brocade weaving centres of India developed in and around the capitals of kingdoms or holy cities because of the demand for expensive fabrics by the royal families and temples.
Kimkhwab (Kim-Khwab, kamkhāb, ḳamkhwāb, Kimkhwab, Hiranya, puspapata) is an ancient Indian brocade art of weaving ornate cloth with gold, silver, and silk yarns. Kinkhwab is a silk damasked cloth with an art of zar-baft (making cloth of gold), [1] The weave produces beautiful floral designs that appear embroidered on the surface of the fabric. it was also known as puspapata or cloth with ...
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